Spotlight: Thom Mayne


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Emerson College Los Angeles. Image © Iwan Baan

Emerson College Los Angeles. Image © Iwan Baan

The principal architect of LA firm Morphosis, Thom Mayne (born January 19, 1944) was the recipient of the 2005 Pritzker Prize and the 2013 AIA Gold Medal, and is known for his experimental architectural forms, often applying them to significant institutional buildings such as the New York’s Cooper Union building, the Emerson College in Los Angeles and the Caltrans District 7 Headquarters.

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Degrowth: the Radical (Re)Action Needed to Avoid Total Economic and Environmental Collapse


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Courtesy of Otherothers. ImageOtherothers' installation at the 2015 Chicago Biennial looked at the impact of the standard suburban Australian home. Their installation proposed a shrinkage of the typology's spatial impact

Courtesy of Otherothers. ImageOtherothers' installation at the 2015 Chicago Biennial looked at the impact of the standard suburban Australian home. Their installation proposed a shrinkage of the typology's spatial impact

ArchDaily is happy to announce our Media Partnership with @Oslo Architecture Triennale 2019! Throughout 2019 we will be sharing stories, interviews, and content related to the Triennale, which this year revolves around the theme of Degrowth. The interview below introduces Degrowth in the context of practice today – and hints at how this radical idea could irreversibly change how we value architectural production.

The world faces some significant challenges. The UN climate change report, which explained that we may have just 12 years and need “unprecedented changes” to avoid devastating effects from climate change, was released into a world that seemed to be plenty busy processing other things, such as rising economic inequality, increasingly partisan politics, escalating conflicts, and

© <a href='https://pixabay.com/en/degrowth-sustainability-growth-594870/'>Pixabay user kamiel79</a>
Much of the work done by her previous firm, Studio Weave, would fit within the degrowth paradigm, says Maria Smith. Shown here is <a href='https://www.archdaily.com/457272/ecology-of-colour-studio-weave'>Ecology of Colour</a>, a community arts studio, bird-watching hide, and park shelter located in Dartford, UK. Image © Jim Stephenson
Courtesy of Wikimedia.. ImageThe Oslo Opera
Courtesy of Otherothers. ImageOtherothers' installation at the 2015 Chicago Biennial looked at the impact of the standard suburban Australian home. Their installation proposed a shrinkage of the typology's spatial impact
The Australian Pavilion at the 2018 Venice Biennale. Image © Rory Gardiner
In recent years architects have increasingly been involved in proposals to expand human environments (and human resource extraction) into extraterrestrial environments, which Harper and Smith argue is symptomatic of the extreme technological developments needed to continue our growth paradigm. Shown here is TEST LAB, the <a href='https://www.archdaily.com/803985/9-visions-for-lunar-colonies-selected-as-winners-in-moontopia-competition'>winning entry to Eleven Magazine's Moontopia competition</a> from 2017. Image Courtesy of Eleven-Magazine.com
The curatorial team for the 2019 Oslo Architecture Triennale. Clockwise from top: Maria Smith, Matthew Dalziel, Cecilie Sachs Olsen, and Phineas Harper. Image Courtesy of Oslo Architecture Triennale

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AD Classics: Prentice Women’s Hospital / Bertrand Goldberg


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Courtesy of Landmark Illinois

Courtesy of Landmark Illinois

This article was originally published on September 28, 2013. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

Hospital buildings, with their high standards of hygiene and efficiency, are a restrictive brief for architects, who all too often end up designing uninspiring corridors of patient rooms constructed from a limited palette of materials. However, this was not the case in Bertrand Goldberg‘s 1975 Prentice Women’s Hospital. The hospital is the best example of a series of Goldberg-designed medical facilities, which all adhere to a similar form: a tower containing rooms for patient care, placed atop a rectilinear plinth containing the hospital’s other functions.

Read on for more about this masterwork of humanist brutalism


© C. William Brubaker via Flickr user UIC Digital Collections

© C. William Brubaker via Flickr user UIC Digital Collections

Goldberg’s approach was to let the interior requirements of the building define the exterior form, which gave

Courtesy of Landmark Illinois
Courtesy of Landmark Illinois
© Flickr user the justified sinner
© Flickr user seanbirm

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Spotlight: Le Corbusier


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Notre Dame du Haut at Ronchamp. Image © <a href='www.flickr.com/photos/9160678@N06/2089042156'>Flickr user scarletgreen</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Notre Dame du Haut at Ronchamp. Image © <a href='www.flickr.com/photos/9160678@N06/2089042156'>Flickr user scarletgreen</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Born in the small Swiss city of La Chaux-de-Fonds, Charles-Édouard Jeanneret-Gris—better known by his pseudonym Le Corbusier (October 6, 1887 – August 27, 1965)—is widely regarded as the most important architect of the 20th century. As a gifted architect, provocative writer, divisive urban planner, talented painter, and unparalleled polemicist, Le Corbusier was able to influence some of the world’s most powerful figures, leaving an indelible mark on architecture that can be seen in almost any city worldwide.


© Willy Rizzo

© Willy Rizzo

After studying architecture in his hometown the young Jeanneret rejected the provincial atmosphere of Chaux-de-Fonds, traveling to Italy then on to Budapest and Vienna. He finally came to Paris, where he spent time working for August Perret, then learned German in order to work in the Berlin

Weissenhof-Siedlung Houses 14 and 15 / Le Corbusier and Pierre Jeanneret. Image © Hassan Bagheri / hbarchitectural.com
Villa Savoye. Image © Flavio Bragaia
Swiss Pavilion. Image © Samuel Ludwig
Villa Savoye. Image © Flavio Bragaia
Notre Dame du Haut at Ronchamp. Image © <a href='https://www.flickr.com/photos/roryrory/2501817294'>Flickr user roryrory</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>CC BY-SA 2.0</a>
Convent of La Tourette. Image © Samuel Ludwig
Unité d'Habitation in Marseille. Image © <a href='https://www.flickr.com/photos/wojtekgurak/4100368638'>Flickr user wojtekgurak</a> licensed under <a href='https://creativecommons.org/licenses/by-nc/2.0/'>CC BY-NC 2.0</a>
Convent of La Tourette. Image © Samuel Ludwig
Chandigarh. Image © Laurian Ghinitoiu
Palace of the Assembly at Chandigarh. Image © <a href='https://www.flickr.com/photos/70608042@N00/1321525329'>Flickr user chiara_facchetti</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>CC BY-SA 2.0</a>

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Spotlight: Renzo Piano


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The Whitney Museum. Image © Nic Lehoux

The Whitney Museum. Image © Nic Lehoux

Architecture is art, but art vastly contaminated by many other things. Contaminated in the best sense of the word—fed, fertilized by many things.
– Renzo Piano

Italian architect Renzo Piano (born 14 September 1937) is known for his delicate and refined approach to building, deployed in museums and other buildings around the world. Awarded the Pritzker Prize in 1998, the Pritzker Jury compared him to Leonardo da Vinci, Michelangelo, and Brunelleschi, highlighting “his intellectual curiosity and problem-solving techniques as broad and far ranging as those earlier masters of his native land.”


via Screenshot from "Renzo Piano: Architecture About 'Fighting Against Gravity'" interview with Charlie Rose

via Screenshot from "Renzo Piano: Architecture About 'Fighting Against Gravity'" interview with Charlie Rose

Centre Georges Pompidou. Image © <a href='https://www.flickr.com/photos/dalbera/2496569412'>Flickr user dalbera</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Centre Georges Pompidou. Image © <a href='https://www.flickr.com/photos/dalbera/2496569412'>Flickr user dalbera</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Born in Genoa, Piano was originally expected to follow the family tradition and become a builder but

Menil Collection. Image © D Jules Gianakos
Harvard Art Museums Renovation and Expansion. Image © Nic Lehoux
Isabella Stewart Gardner Museum. Image © Nic Lehoux
The Shard. Image © Eric Smerling

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Spotlight: Louis Sullivan


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 © <a href='https://www.flickr.com/photos/chicagoarchitecturetoday/8400309871/'>Flickr user chicagoarchitecturetoday</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>. Image © Flickr user chicagoarchitecturetoday licensed under CC BY 2.0

© <a href='https://www.flickr.com/photos/chicagoarchitecturetoday/8400309871/'>Flickr user chicagoarchitecturetoday</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>. Image © Flickr user chicagoarchitecturetoday licensed under CC BY 2.0

Known as Chicago‘s “Father of Skyscrapers,” Louis Sullivan (September 3, 1856 – April 14, 1924) foreshadowed modernism with his famous phrase “form follows function.” Sullivan was an architectural prodigy even as a young man, graduating high school and beginning his studies at MIT when he was just 16. After just a year of study he dropped out of MIT, and by the time he was just 24 he had joined forces with Dankmar Adler as a full partner of Adler and Sullivan.


Louis Sullivan circa 1895. Image in public domain

Louis Sullivan circa 1895. Image in public domain

The Guaranty Building in Buffalo, New York. Image © Jack E. Boucher (public domain)

The Guaranty Building in Buffalo, New York. Image © Jack E. Boucher (public domain)

Sullivan is arguably best known for his influence on the modernists that followed him, including his protegé

The Wainwright Building in St Louis, Missouri. Image © <a href='https://commons.wikimedia.org/wiki/File:2010-07-04_1880x2820_stlouis_wainwright_building.jpg'>J. Crocker</a>
The Wainwright Building in St Louis, Missouri. Image © University of Missouri
Merchants' National Bank in Grinnell, Iowa. Image © <a href='https://commons.wikimedia.org/wiki/File:Louis_Sullivan_Jewel_Box,_Grinnell,_Iowa.jpg'>Wikimedia user Manop</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/3.0/deed.en'>CC BY-SA 3.0</a>

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Spotlight: Jean Nouvel


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© Iwan Baan

© Iwan Baan

The winner of the Wolf Prize in 2005 and the Pritzker of 2008, French architect Jean Nouvel has attempted to design each of his projects without any preconceived notions. The result is a variety of projects that, while strikingly different, always demonstrate a delicate play with light and shadow as well as a harmonious balance with their surroundings. It was this diverse approach that led the Pritzker Prize Jury in their citation to characterize Nouvel as primarily “courageous” in his “pursuit of new ideas and his challenge of accepted norms in order to stretch the boundaries of the field.”


Image via screenshot from <a href='http://www.archdaily.com/476799/video-jean-nouvel-on-arabic-architecture-context-and-culture'>"Jean Nouvel: Architecture is Listening" video by Louisiana Channel</a>

Image via screenshot from <a href='http://www.archdaily.com/476799/video-jean-nouvel-on-arabic-architecture-context-and-culture'>"Jean Nouvel: Architecture is Listening" video by Louisiana Channel</a>

After initially failing an entrance exam at the École des Beaux-Arts of Bordeaux, Nouvel studied architecture at the École Nationale Supérieure des Beaux-Arts in Paris, having won a national competition to attend the school.

Institut du Monde Arabe. Image © <a href='https://www.flickr.com/photos/roryrory/2520002099'>Flickr user roryrory</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>CC BY-SA 2.0</a>
Doha Office Tower, Qatar. Image © Nelson Garrido
Fondation Cartier. Image © <a href='https://www.flickr.com/photos/roryrory/2520905260'>Flickr user roryrory</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>CC BY-SA 2.0</a>
100 Eleventh Avenue. Image © <a href='https://www.flickr.com/photos/shinyasuzuki/32333130260'>Flickr user shinyasuzuki</a> licensed under <a href='https://creativecommons.org/licenses/by-nd/2.0/'>CC BY-ND 2.0</a>

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The Failed Mexican Earthquake Memorial That Shows Protest Can Still Shape the Urban Environment


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Impractical Chinese Skyscraper Features 108-Meter-Tall Facade Waterfall


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A skyscraper in Guiyang, China, has attracted headlines thanks to a daring water feature built into its facade. On one side, the 121-meter (397-foot) tall Liebian Building in Guiyang, China, features a spectacular waterfall, providing a dramatic spectacle from the plaza below. At 108-meters (350-feet), the waterfall is among the tallest artificial waterfalls in the world—and easily the largest artificial waterfall located in an urban area, with other record breakers being artificial additions to river and canal networks.

Planned as a new tourist attraction for the city’s central business district, the skyscraper has certainly caught the media’s attention, however it has also attracted its fair share of controversy. According to the Times, when the waterfall was first switched on, some local residents called local newspapers to report a catastrophic water leak.

Other citizens have raised concerns over the wastefulness of the waterfall, with reports claiming that the water feature’s running costs are up to 800 yuan,

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Spotlight: Richard Rogers


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Centre Georges Pompidou / Richard Rogers + Renzo Piano. Image © <a href='https://www.flickr.com/photos/dalbera/2496569412'>Flickr user dalbera</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Centre Georges Pompidou / Richard Rogers + Renzo Piano. Image © <a href='https://www.flickr.com/photos/dalbera/2496569412'>Flickr user dalbera</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

As one of the leading architects of the British High-Tech movement, Pritzker Prize-winner Richard Rogers stands out as one of the most innovative and distinctive architects of a generation. Rogers made his name in the 1970s and ’80s, with buildings such as the Centre Georges Pompidou in Paris and the Headquarters for Lloyd’s Bank in London. To this day his work plays with similar motifs, utilizing bright colors and structural elements to create a style that is recognizable, yet also highly adaptable.


© 2013 Rogers Stirk Harbour + Partners LLP

© 2013 Rogers Stirk Harbour + Partners LLP

Rogers was born in Florence, but his family moved to Britain during the Second World War, when Rogers was a child. After attending the Architectural Association in London, Rogers studied in the United

Rogers House / Richard & Su Rogers. Image © Tim Crocker
Inmos Microprocessor Factory. Image © Ken Kirkwood
Lloyd's of London Building. Image © Mark Ramsay
The Leadenhall Building. Image © Richard Bryant – Courtesy of British Land/Oxford Properties
Millennium Dome. Image © <a href='https://www.flickr.com/photos/jamesjin/58712717/'>Flickr user jamesjin</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>CC BY-SA 2.0</a>

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LIVE: Watch Rem Koolhaas at the Moscow Urban Forum


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At the Moscow Urban ForumRem Koolhaas speaks to Vladimir Pozner about his life and work, including how he has been influenced by Russian architecture. The pair aim to also discuss how the city of Moscow has evolved and the role that it currently has in the world. Watch the live stream above.

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Open Call: The Best Student Design-Build Projects


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Spotlight: Robert Venturi and Denise Scott Brown


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Franklin Court, Philadelphia. Image © Mark Cohn

Franklin Court, Philadelphia. Image © Mark Cohn

Through their pioneering theory and provocative built work, husband and wife duo Robert Venturi (born June 25, 1925) and Denise Scott Brown (born October 3, 1931) were at the forefront of the postmodern movement, leading the charge in one of the most significant shifts in architecture of the 20th century by publishing seminal books such as Complexity and Contradiction in Architecture (authored by Robert Venturi alone) and Learning from Las Vegas (co-authored by Venturi, Scott Brown and Steven Izenour).


© Frank Hanswijk

© Frank Hanswijk

Vanna Venturi House / Robert Venturi. Image © Maria Buszek

Vanna Venturi House / Robert Venturi. Image © Maria Buszek

Born in Philadelphia and Northern Rhodesia (modern day Zambia) respectively, Venturi and Scott Brown met while they were both teaching at the University of Pennsylvania in 1960. They married in 1967, and in 1969 Scott Brown joined Venturi’s firm—then named Venturi and Raunch—as partner in charge of planning. The firm rebranded in 1980

Chapel at the Episcopal Academy. Image <a href='https://commons.wikimedia.org/wiki/File:Espicopal_Acad_int.JPG'>via Wikimedia</a> (Image by Wikimedia user Smallbones in public domain)
Best Products Showroom, Langhorne, Pennsylvania. Image © Tom Bernard
Denise Scott Brown outside Las Vegas in 1966. Image from the Archives of Robert Venturi and Denise Scott Brown © Robert Venturi
Sainsbury Wing, National Gallery London / Venturi Scott Brown. Image © Valentino Danilo Matteis
Seattle Art Museum. Image © <a href='https://www.flickr.com/photos/dph1110/2671587271'>Flickr user dph1110</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

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Spotlight: Álvaro Siza


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The Building on the Water. Image © Fernando Guerra |  FG+SG

The Building on the Water. Image © Fernando Guerra | FG+SG

One of the most highly regarded architects of his generation, Portugese architect Álvaro Siza (born 25 June 1933) is known for his sculptural works that have been described as “poetic modernism.” When he was awarded the Pritzker Prize in 1992, Siza was credited as being a successor of early modernists: the jury citation describes how “his shapes, molded by light, have a deceptive simplicity about them; they are honest.”


Courtesy of Álvaro Siza

Courtesy of Álvaro Siza

Born in Matosinhos near Porto, as a child Siza wanted to become a sculptor, a predilection that shows itself in his work to this day. However, a trip to Barcelona convinced him to become an architect when he experienced the work of Antoni Gaudí. This sculptural architecture he then knits into its context, connecting his buildings with the site and the culture masterfully.


Leça Swimming Pools. Image © <a href='https://commons.wikimedia.org/wiki/File:Swimming_Pool_Piscinas_de_Mar%C3%A9s_Le%C3%A7a_da_Palmeira_by_%C3%81lvaro_Siza_foto_Christian_G%C3%A4nshirt.jpg'>Wikimedia user Christian Gänshirt</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/4.0/deed.en'>CC BY-SA 4.0</a>

Leça Swimming Pools. Image © <a href='https://commons.

Expo'98 Portuguese National Pavilion. Image © Flickr user Pedro Moura Pinheiro
Fundação Iberê Camargo. Image © Grazielle Bruscato

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Spotlight: Antoni Gaudí


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La Sagrada Familia's passion facade. Image © Expiatory Temple of the Sagrada  Família

La Sagrada Familia's passion facade. Image © Expiatory Temple of the Sagrada Família

When Catalan architect Antoni Gaudí (25 June 1852 – 10 June 1926) graduated from the Barcelona Architecture School in 1878, the director of the school Elies Rogent reportedly declared: “Gentlemen, we are here today either in the presence of a genius or a madman!” [1] Well over a century later, this tension is still evident in Gaudí’s work; though he is widely regarded as a genius architect, his distinctive style stands as a singularity in architectural history—simultaneously awe-inspiring and bizarre, never fitting into any stylistic movement, and never adapted or emulated, except by those still working to complete his magnum opus, Barcelona’s famous Sagrada Família.


Gaudí in 1878. Public Domain image taken by Pau Audouard

Gaudí in 1878. Public Domain image taken by Pau Audouard

Born in the Catalan village of either Riudoms or Reus (the records conflict), from a young age Gaudí was fascinated by nature. Between 1875 and 1878, Gaudí was

Casa Milà. Image © Samuel Ludwig
Casa Batlló. Image © <a href='https://www.flickr.com/photos/srboisvert/306517767'>Flickr user srboisvert</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>
La Sagrada Familia interior. Image © Renate Dodell
Colònia Güell. Image © Samuel Ludwig

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Spotlight: Benedetta Tagliabue


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Santa Caterina Market. Image © <a href='https://www.flickr.com/photos/ligthelm/8271776325'>Flickr user ligthelm</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Santa Caterina Market. Image © <a href='https://www.flickr.com/photos/ligthelm/8271776325'>Flickr user ligthelm</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Benedetta Tagliabue (born 24 June 1963) is an Italian architect known for designs which are sensitive to their context and yet still experimental in their approach to forms and materials. Her diverse and complex works have marked her Barcelona-based firm EMBT as one of the most respected Spanish practices of the 21st century.


Courtesy of RIBA

Courtesy of RIBA

Santa Caterina Market. Image © Ceramica Cumella

Santa Caterina Market. Image © Ceramica Cumella

Born in Milan, Tagliabue graduated from the Istituto Universitario di Architettura di Venezia in 1989. In the early 1990s, she married Spanish architect Enric Miralles and the pair founded their studio Miralles Tagliabue EMBT. Together, Miralles and Tagliabue designed some of the practice’s most notable works, including the renovation of the Santa Caterina Market in Barcelona and the enormous edifice of the Scottish Parliament Building—a building which critic

Scottish Parliament Building. Image © Dave Morris
Diagonal Mar Park. Image © <a href='https://www.flickr.com/photos/oh-barcelona/6815735718'>Flickr user oh-barcelona</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>
The Spanish Pavilion at the 2010 Shanghai Expo.

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Frida Escobedo’s 2018 Serpentine Pavilion Opens in London


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© Laurian Ghinitoiu

© Laurian Ghinitoiu

The 2018 Serpentine Gallery Pavilion, designed by Frida Escobedo, was unveiled today in London’s Hyde Park. Escobedo’s design, which fuses elements typical to Mexican architecture with local London references, features a courtyard enclosed by two rectangular volumes constructed from cement roof tiles. These tiles are stacked to form a celosia, a type of wall common to Mexican architecture which is permeable, allowing ventilation and views to the other side.


© Laurian Ghinitoiu

© Laurian Ghinitoiu

The courtyard of the pavilion is oriented exactly along the North-South, a reference to the Prime Meridian, which runs through Greenwich a number of miles to the East of the pavilion. Inside the courtyard, a shallow water pool and the curving, mirrored roof element reflect light, emphasizing the changes in light and shadow throughout the day.


© Iwan Baan

© Iwan Baan

“My design for the Serpentine Pavilion 2018 is a meeting of material and historical inspirations inseparable from the city of

© Laurian Ghinitoiu
© Iwan Baan
Frida Escobedo in her 2018 Serpentine Pavilion. Image © Vanessa Vielma

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Spotlight: Frank Lloyd Wright


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Fallingwater House. Image © Western Pennsylvania Conservancy

Fallingwater House. Image © Western Pennsylvania Conservancy

In 1991, the American Institute of Architects called him, quite simply, “the greatest American architect of all time.” Over his lifetime, Frank Lloyd Wright (June 8, 1867 – April 9, 1959) completed more than 500 architectural works; many of them are considered masterpieces. Thanks to the wide dissemination of his designs and his many years spent teaching at the school he founded, few architects in history can claim to have inspired more young people into joining the architecture profession.


Image <a href='https://commons.wikimedia.org/wiki/File:Frank_Lloyd_Wright_portrait.jpg'>via Wikimedia</a>. Photograph by Al Ravenna in the public domain.

Image <a href='https://commons.wikimedia.org/wiki/File:Frank_Lloyd_Wright_portrait.jpg'>via Wikimedia</a>. Photograph by Al Ravenna in the public domain.

Wright is particularly interesting because of the unique period in history which he occupied: as a disciple of Louis Sullivan (“form follows function”) in the late 19th century, his work forms something of a bridge between the traditional architecture of that era and the modernists which began to appear

Solomon R. Guggenheim Museum. Image © <a href='https://www.flickr.com/photos/132084522@N05/17207156426'>Flickr user Sam valadi</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>
Taliesin West. Image © <a href='https://en.wikipedia.org/wiki/File:TaliesinWest2010.JPG'>Wikimedia user AndrewHorne</a> licensed under <a href='https://creativecommons.org/licenses/by/3.0/deed.en'>CC BY 3.0</a>
Frederick C. Robie House. Image © Nat Hansen
Marin Civic Center. Image © <a href='https://www.flickr.com/photos/joevare/3506611084'>Flickr user joevare</a> licensed under <a href='https://creativecommons.org/licenses/by-nd/2.0/'>CC BY-ND 2.0</a>
Wingspread. Image © Galen Frysinger
Ennis House. Image © <a href='https://commons.wikimedia.org/wiki/File:Ennis_House_front_view_2005.jpg'>Wikimedia user Mike Dillon</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/3.0/deed.en'>CC BY-SA 3.0</a>
SC Johnson Wax Research Tower. Image © SC Johnson
Fallingwater House. Image © Western Pennsylvania Conservancy

Continue reading “Spotlight: Frank Lloyd Wright”

Is This Yeezy Home 1.0? Kanye West Collaborator Teases Affordable Housing Project on Instagram


This post is by Rory Stott from ArchDaily


Click here to view on the original site: Original Post




    <blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/Bjk1RObFmR1/" data-instgrm-version="8" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:8px;"> <div style=" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;"> <div style=" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;"></div> </div> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"><a href="https://www.instagram.com/p/Bjk1RObFmR1/" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;" >A post shared by Jalil Peraza (@jalilperaza)</a> on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2018-06-03T20:13:10+00:00">Jun 3, 2018 at 1:13pm PDT</time></p> </div></blockquote> <script async defer src="http://www.instagram.com/embed.js"></script>

A month after Kanye West announced his intention to open an architecture venture, at the time named Yeezy Home, off the back of his fashion brand, it seems we may have the first glimpse of the type of buildings the rapper is hoping to create. Yesterday Jalil Peraza, a previous collaborator with West’s design company DONDA and designer of the “Face Modules” pop-up retail concept, posted two images to his Instagram showing a building render alongside the caption “Low income housing scheme, made of prefabricated concrete in collaboration with Petra Kustrin, Jalil Peraza, Kanye West, Nejc Skufca.”

As is often the case with

Continue reading “Is This Yeezy Home 1.0? Kanye West Collaborator Teases Affordable Housing Project on Instagram”

Spotlight: Carlo Scarpa


This post is by Rory Stott from ArchDaily


Click here to view on the original site: Original Post




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Museo Castelvecchio. Image © <a href='https://www.flickr.com/photos/andreaosti/4505639981/'>Flickr user andreaosti</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Museo Castelvecchio. Image © <a href='https://www.flickr.com/photos/andreaosti/4505639981/'>Flickr user andreaosti</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

One of the most enigmatic and underappreciated architects of the 20th century, Carlo Scarpa (June 2, 1906 – November 28, 1978) is best known for his instinctive approach to materials, combining time-honored crafts with modern manufacturing processes. In a 1996 documentary directed by Murray Grigor, Egle Trincanato, the President of the Fondazione Querini Stampalia for whom Scarpa renovated a Venetian palace in 1963, described how “above all, he was exceptionally skillful in knowing how to combine a base material with a precious one.”


Carlo Scarpa studying drawings by Frank Lloyd Wright in 1954. Image © Mario De Biasi (public domain)

Carlo Scarpa studying drawings by Frank Lloyd Wright in 1954. Image © Mario De Biasi (public domain)

Museo Castelvecchio. Image © <a href='https://www.flickr.com/photos/leonl/6121652268/'>Flickr user leonl</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Museo Castelvecchio. Image © <a href='https://www.flickr.com/photos/leonl/6121652268/'>Flickr user leonl</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

Born in Venice, Scarpa spent most of his early childhood in

Central Pavilion in the Giardini at the Venice Biennale. Image © <a href='https://www.flickr.com/photos/dalbera/10160349164/'>Flickr user dalbera</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>
Garden at the Querini Stampalia. Image © <a href='https://www.flickr.com/photos/dalbera/8142985275'>Flickr user dalbera</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>
Olivetti Showroom. Image © <a href='https://www.flickr.com/photos/dalbera/8068024216'>Flickr user dalbera</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>
Olivetti Showroom. Image © Orch_chemollo
Brion Tomb and Sanctuary. Image © <a href='https://www.flickr.com/photos/leonl/6106113845/'>Flickr user leonl</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>
Brion Tomb and Sanctuary. Image © <a href='https://www.flickr.com/photos/batintherain/8192243875'>Flickr user batintherain</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>CC BY-SA 2.0</a>

Continue reading “Spotlight: Carlo Scarpa”