<a href="http://www.dezeen.com/2016/10/07/zgf-architects-university-arizona-cancer-centre-creased-metal-panels-phoenix/"> <img src="https://static.dezeen.com/uploads/2016/10/university-of-arizona-cancer-center-zgf-architecture-usa_dezeen_sq-936x936.jpg" /> </a> American firm <a href="http://www.dezeen.com/tag/zgf-architects-news-and-design/">ZGF Architects</a> has completed a cancer centre in downtown <a href="http://www.dezeen.com/tag/phoenix/">Phoenix</a> with a faceted, copper-coloured screen that evokes the scaly skin of a desert reptile (+ slideshow). <a href="http://www.dezeen.com/2016/10/07/zgf-architects-university-arizona-cancer-centre-creased-metal-panels-phoenix/" class="more-link">(more…)</a>
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Cavin Costello from The Ranch Mine has sent us his latest project named Link, a contemporary house in Phoenix, Arizona.
Link is an infill house in the historic Pierson Place neighborhood in Phoenix, Arizona. The house is named “Link” as it was the last vacant parcel in the neighborhood, or as we saw it, the missing link. My firm The Ranch Mine, comprised of myself and my wife Claire, was hired by Evan Boxwell of Boxwell Southwest to design a 2000 SF, 3 bedroom, 2 bathroom spec house on this vacant lot. The house is designed as part of the urban fabric connecting it both to its site and its neighborhood, visually and physically. Sliding glass walls, 24 feet wide, enable the homeowner to open up the entire living space of the house, extending the living area outdoors to either the private backyard, the social front yard, or both. The living and dining area of the house essential can transform into an open air pavilion, ideal for entertaining. The bedrooms, bathrooms, and storage areas of the house are located in the private, main volume of the house. The house uses large overhangs to shade the large glass doors from April through October, and those doors provide unbelievable cross ventilation to cool the house on the cool desert nights. LED lighting and advanced framing construction also help to keep this house incredibly energy efficient. The house had to pass The City of Phoenix Historic Preservation committee, so the design focused on abstracting the common scale, form and massing of the existing houses in the historic district into a contemporary interpretation.Design: The Ranch Mine
Click here to view the embedded video. A self-trained American architect residing in Phoenix’s urban desert, Will Bruder, FAIA, has built a reputation for being one of Arizona’s most prized place-makers. For more than 40 years, Bruder has refined his craft with the completion of over 500 commissions ranging from large-scale civic and cultural projects to private residences and multi-family housing. Trained first as a sculptor with a Bachelor of Fine Arts degree from the University of Wisconsin-Milwaukee, Bruder pursued the art of building with an architectural apprenticeship under Paolo Soleri and Gunnar Birkerts. In 1974, Bruder opened his first studio in Arizona, Will Bruder Architects, where he still serves as a community-based architect and student mentor, while often participating in a number of visiting chairs and lectures at universities nationwide. His most notable project is the Burton Barr Central Library; not only has the structure played a significant role in the evolution of downtown Phoenix, but it serves as an exemplar of Bruder’s heightened awareness of movement, materiality and light. Learn more about Bruder’s design philosophy in the interview above and check out his projects on ArchDaily:
- Sky Arc Residence
- Pond House
- Loloma 5
- Hercules Public Library
- Henkel North American Consumer Products Headquarters
- Jarson Residence
- Agave Library
Chen + Suchart Studio designed the Yerger Residence in Phoenix, Arizona.
This site for this project has one main view to the east towards Camelback Mountain. The intent of the project was to focus the views towards the iconic landmark to capture it and have it constantly presenced in the experience of the house while creating other introspective moments of experience. The project takes the form of an architectural cast-in-place concrete base upon which a floating sheet steel clad open-ended volume and an 8-4-16 masonry volume are situated. An entry sequence leading from the street, along a koi pond, into the entry, and to a negative edge pool distinguish the main public spaces and master suite while offering a place of repose. The main living space of the house maintains an open plan configuration and borrows Camelback Mountain and brings it into this space. This relationship is further maintained by the ability to slide sliding glass doors completely away for an uninhibited view. Two guest bedrooms, also part of this open-ended volume, afford the view due to the plan configuration of the bathroom and closet spaces along the west elevation. The master suite by contrast is a more cellular division of spaces that control views and privacy. A study is located at the same level as the entry and living space while the master bedroom and master bathroom are situated higher in section to allow for additional privacy. The master bedroom has one specific corner view whose sliding glass door is mounted to the exterior of the CMU volume in order to exacerbate the specifity of this view. For reasons of privacy, the master suite is an introverted and focused series of interior spaces and exterior spaces while still maintaining a view to Camelback Mountain from the master bedroom. The CIP concrete base houses a sunken garage and an exercise area that leads to a sunken garden in the back of the house. The exercise area can be opened up to the garden space for outdoor exercise as well. By configuring this base lower than the original grade, the project sought to minimize the impact of the vehicle as part of the primary elevation. The sunken garden allows for a cooler outdoor space which promotes outdoor exercise from the interior exercise area. The floating volume which houses the living room and two bedrooms is a metal stud framed construction whose cladding is comprised of blind fastened 4’ X 15’ 10 gauge sheets of weathering steel. In order to minimize the economic impact of this cladding, 40,000lbs of steel were cut to size and shipped directly from the steel mill in Alabama to the job site. This strategy proved to be economic as the cost of going directly to the steel mill proved to be less than using lower quality material from a local steel supplier. The interior finishes of the project juxtapose highly refined materials with raw industrial materials in order to heighten one another’s unique qualities. The interior finishes are comprised of polished wenge millwork, non-directional stainless steel countertops, white Carrera marble, and terrazzo flooring. These finishes constantly enter a dialogue with one another by means of their configuration and junctions. While the project’s main view and focus is towards Camelback Mountain, the spaces of the project work to not only maintain this view but also seek to establish a new series of contrasting spaces.Design: Chen + Suchart Studio Photography by Bill Timmerman of Timmerman Photography