Storefront for Art and Architecture hosts Facing East: Chinese Urbanism in Africa, an exhibition by journalist Michiel Hulshof (Tertium, Amsterdam) and architect Daan Roggeveen (MORE Architecture, Shanghai). Facing East investigates the impact of Chinese development on fast-growing African cities, and is built around personal stories of individuals involved in the urbanization process.
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The city of Pittsburgh encountered and was transformed by modern architecture in an ambitious program of urban revitalization in the 1950s and ’60s. HAC Lab Pittsburgh: Imagining the Modern untangles Pittsburgh’s complicated relationship with modern architecture and urban planning. This experimental presentation at Carnegie Museum of Art’s Heinz Architectural Center includes abundant archival materials from the period, an active architecture studio, and a salon-style discussion space, unearthing layers of history and a range of perspectives.
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Studio Gang has been selected to design a 60,000 square-foot campus for the Academy for Global Citizenship (AGC) in Chicago. Aimed to be the city’s greenest campus, the net positive energy scheme will be designed as a space for learning that will “break down barriers between kids.” The campus will include classrooms, an international learning laboratory, a teacher professional development center, an early childhood center, and an urban food production center.
Nothing is more iconic of progress than the skyscraper - but as developers continue to build up, it begs the question: what effect does higher living have on our mental health? Taking opinions from authors, architects, engineers and residences of high-rise apartments, Fast Company reports on the pros and cons of the vertical obsession of the 21st century. Comparing the liberation offered by the Hancock building and the failure of the Pruitt-Igoe project, the article looks at how living at high altitudes may change the way that we socialize and perceive space. Read the full article, “The Psychology of Skyscrapers,” and decide for yourself whether this trend of growing buildings is a good or bad thing.
In an interview with Julia IngallsPaul Goldberger, former architecture critic of the New York Times and forthcoming biographer of Frank Gehry, discusses the critical relevance of architecture in what he dubs the “new media age.” According to Ingalls, Goldberger has thrived “by writing informed narratives that examine not just the trendy cladding of a building, but the deep historical, social, and political environments that invariably give rise to it.” Goldberger is a writer who has embraced Twitter, using it as a platform for discussion and debate just as, in prior years, his writings in print media would act as less immediate provocations.
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“The City and the Water” Summer School is organized by the University of Pisa (DESTeC, Long Cycle Master Degree Course in Architectural Engineering), the Visual Art Center of Pietrasanta and the Municipality of Pietrasanta (Tuscany, Italy), with the contribution of the Fondazione Cassa di Risparmio di Lucca. The Summer School, that will take place from 7th to 20th September 2015 at the Visual Arts Center, will see students in Architecture, Engineering, Design, Art Schools and young professionals, working together on the Versilia Area, and in particular on the “Due Laghi” artisan area: a context with a high environmental value and a precious landscape, with several artistic and artisanal laboratories, but actually mined by a strong decay. The project proposals aim to provide indications for the creation of new spaces, in order to make the area more functional and enjoyable for those who live and work there, and for all the future potential visitors, with particular attention to the creation of spaces for cultural and artistic events. After the first design stage, a self-construction laboratory will take place in the “Due Luaghi” area. Students will be guided by the architect Santiago Cirugeda (Recetas urbanas, Seville), Scientific Director of the Summer School, and they will work in close collaboration with the artists and artisans of the “2 Luoghi”. The Course Director is Roberto Pierini, President of the Master Degree Course in Architectural Engineering at the University of Pisa. The Summer School, among the guest lecturers, will have Alessandra Capanna, architect and professor at the Faculty of Architecture of Roma La Sapienza University. Open events will be organized also in the Cloister of S. Agostino (Piazza del Duomo, Pietrasanta) and in the “Due Laghi” artisan area (Via Sarzanese 111, Pietrasanta). Inscription deadline: June 30th 2015.
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120 HOURS has teamed up with FutureBuilt to host a 5 day-long competition regarding climate-friendly urban development in the Oslo region. Open to all creatives, the competition’s challenge will be revealed on Monday, June 15th 2015, at 09.00 (GMT+1). From that moment, entrants will have 120 hours to design and submit their proposal. Third, second and first prize in the contest are respectively 12.500, 25.000 and 50.000 Norwegian Kroner. Read more about the competition and register here.
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In 1991, the American Institute of Architects called him, quite simply, “the greatest American architect of all time.” Over his lifetime, Frank Lloyd Wright (June 8, 1867 – April 9, 1959) completed more than 500 architectural works; many of them are considered masterpieces. Thanks to the wide dissemination of his designs and his many years spent teaching at the school he founded, few architects in history can claim to have inspired more young people into joining the architecture profession.
As one of the leading minds of art-nouveau in the UK, Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) left a lasting impression in art and architecture. With a surprisingly brief architectural career, Mackintosh managed to stand out at the international level in art and design with his personal style coined known as the “Mackintosh Rose” motif. Born in Glasgow, Scotland in 1868, Mackintosh is known for his play between hard angles and soft curves, heavy material and sculpted light. Though he was most well-known for the Mackintosh Building at the Glasgow School of Art, Charles Rennie Mackintosh left a legacy of architecture-as-art that transcends the Glasgow school and exemplifies trans-disciplinary architecture.
This event hosted in collaboration with the NSF TUES grant’s Center for Performative Design & Engineering Technology will consist of a series of presentations and panel discussions, aiming to instigate a conversation from different perspectives on the areas of data visualization, sensing, simulation, and artificial intelligence.
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The author goes along with the observer in a photographic stroll through the colors, surfaces and lights of the Grand Tour City of the Leaning Tower, Pisa. “Emotions from Pisa” is more than a collection of fine photographs: it is an exploration of the dialogue between place and photographer. The “emotions” of the shots are recognized, captured and made available to us. Pasqualetti preserves moments which we often miss and teaches us to read and feel the messages sent out by places and buildings. He shows us the Pisa that we know and above all a Pisa that we never noticed. This collection of photographs does not only record the face of the city, here shown in ways which truly surprise and move. His photos also demonstrate how architecture, through its forms and its surfaces, can evoke emotions that are constantly changing, as sun and seasons take their daily and yearly paths.
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The Architects’ Journal (AJ) have revealed the results of their fourth AJ120 award, an annual survey which ranks the largest and wealthiest practices based in the UK. Partially calculated on the number of ARB-registered (or equivalent) fully qualified architects in employment, the AJ have announced that London based Foster + Partners have topped the 2015 table. Describing the 48 year old practice as an “international powerhouse,” employing 312 architects (out of their 1,066 employees worldwide), the survey also shows that “the £185million fees billed by the practice’s architects – up a huge £45 million from last year – made up 38% of the combined total of all of the companies in the Top 10.” The survey saw BDP ranked second, while AHMM came in third.
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Spanning practice and theory in an innovative and integrative manner, “REBUILD BY DESIGN MUNICH” is oriented towards a broad audience including the interested public, practitioners, scholars and students alike from disciplines in planning and design for the built environment.
Disasters triggered by environmental hazards impact urbanized areas worldwide to increasing degrees. There is an urgent need to deal not only with disaster, but climate change as well. The challenge is to ensure the sustainability of the built environment and the communities that inhabit it. This comprises an emerging field of inquiry and research within the planning and design disciplines. A knowledge-based approach to planning and designing resilient cities and architecture is the key.
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Submissions are invited for the 2015 Faith & Form/IFRAA International Awards Program, which recognizes excellence in the design of religious architecture, restoration and renovation of religious buildings, religious arts, religious landscape design, the design of unbuilt religious projects, and student design projects for spiritual environments. The winners of the awards program will be chosen by an independent jury panel of recognized experts in the field and will be published globally. All submissions are digital and the deadline is June 30, 2015. More information can be found here.
Studio Bark, a London based collaborative practice, are inviting students to join them for a summer workshop in order to develop a “prototype for environmental low-energy student led construction.” In collaboration with TRADA, the Timber Research and Development Association, the organisers hope to begin to bridge the “enormous chasm between architectural education and the on-site application of architecture” through a live-build project. They plan to give participants an understanding of construction terminology, materials, or technical detailing, all through on-site practice.
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One of the most enigmatic and underappreciated architects of the 20th century, Carlo Scarpa (June 2, 1906 – November 28, 1978) is best known for his instinctive approach to materials, combining time-honored crafts with modern manufacturing processes. In a 1996 documentary directed by Murray Grigor, Egle Trincanato, the President of the Fondazione Querini Stampalia for whom Scarpa renovated a Venetian palace in 1963, described how “above all, he was exceptionally skillful in knowing how to combine a base material with a precious one.”
In an article for The New Yorker, Ben Mauk examines the rise of the private art ‘museum.’ In the centre of Berlin there sits a ”heavy, grey, and shrapnel-pocked” bunker, designed by Nazi architect Karl Bonatz under the direction of Albert Speer which, in 2003, was transformed into a private gallery. Having been bought by Christian and Karen Boros in order to display a portion of their sizeable collection of contemporary art, the only way for a member of the public to gain admittance is by registering online for a group tour. For Mauk, however, this is not necessarily a bad thing. Read the article in full here.