Starting from a series of 55 adjectives that rate the proposed architecture in the open competition, "becoming" accommodates heterogeneous proposals and reflections on architecture and revindicates learning environments as a space for architectural creation and criticism.
"Among the eclectic selection inside the pavilion you will see proposals that critically review the
via Earthship Biotecture / Tagma
Seeking to combine traditional education with the responsible use of resources and the development of sustainable human relations, the first sustainable public school in Latin America was created. Designed under a constructive method developed by the North American architect Michael Reynolds, who has now built such schools around the world.
The 270 square meters building is on the coastal portion of Jaureguiberry, Canelones and was raised in only seven weeks. Its construction is made up of approximately 60% recycled materials (covered with plastic and glass bottles, cans, cardboard) and 40% of traditional materials.
From the architects. The Earthship, as Reynolds calls it, seeks to make the most of the energy of the sun, water, wind, and earth. To do this, the surroundings are sensitive to the orientations, opening to the north to make the most of light and solar energy through a wide glass corridor that
Bjarke Ingels en la pasada edición del Congreso Internacional de Arte, Arquitectura y Diseño UDESIGN 2017. Image Cortesía de UDEM
In just 13 years since its inception, Danish firm BIG has earned world renown for its inventive architecture and its founder, Bjarke Ingels, has become one of the most popular names in the architectural world. However, with success comes criticism; BIG has been called out by some critics for what they believe is the "infantilization of architecture," referring to their designs as isolated, self-admiring and solely photogenic.
On her most recent visit to Spain, Spanish journalist Anatxu Zabalbeascoa spoke with Ingels about the impact of the Danish office on architecture and how their work wavers on a tightrope between "breakthrough projects for the world of the powerful" and "a face for people who are not happy with existing architectural models."
Cortesía de Parklex
This vertical cladding for facades is a high-density laminated panel, composed of a core of paper fibers -compressed at high temperature and pressure- and an outer coating highly resistant to weathering and UV radiation. The wood used in the panels has been treated with Everlook®, a component that - without the need for maintenance - extends the useful life of the panel and the stability of its color regardless of weather conditions.
To generate a ventilated facade with these panels, each unit must be installed on vertical profiles, producing an uninterrupted airflow behind the panel. Here's how to do it.
To ensure its correct operation, the panels must be separated from the wall by profiles, installed vertically and forming a ventilated chamber of ≥ 20 mm. To allow air circulation in the chamber, the air inlet and outlet must be located correctly.
With over 10,000 followers, Juan Cristóbal Lara's (@eljuancri) Instagram account has become a go-to photographic essay of Chile's capital city, Santiago. His images show an urban area in which the giant Andes mountains, the city's hills, and the Mapocho River are the stars of the show. As the buildings and natural elements harness and reflect the changing light of the sun, Santiago has certified itself as one of the most photogenic cities around.
To commemorate the end of 2017, Lara published his first timelapse—a video filmed over a period of days that shows the Santiago sunset from the San Critóbal and Calán hills.
The second edition of the workshop organized by the School of Architecture (EA) of Universidad San Sebastián (Chile) had as main guest the Spanish architect Alberto Veiga, founding partner of Barozzi / Veiga and author of projects such as the Philharmonic Hall in Szczecin and Ribera del Duero Headquarters. In addition to engaging in a series of debates with the participants of the workshop, Veiga had a public conversation with the Chilean architect Pedro Alonso (winner of the Silver Lion at the Venice Biennale 2014) and shared the studio’s work and reflections on architecture in a master lecture.
A total of 10 teams from different schools of architecture in the country came together for the 2017 version of this initiative, reaching a total of 67 participants among students and instructors. Seeking to favor the production of projects capable of promoting debate, each day of the workshop dealt with
Cortesía de Fundación Ecoinclusión
The Fundación EcoInclusión - winner of the first prize in the regional competition Google.org Challenge - is an Argentine non-profit organization that was born in 2015, from the hands of a group of young people that promote the construction of a fairer, equitable and sustainable society.
Located in the Alta Gracia city, province of Córdoba, Ecoinclusión works in the reduction of PET bottles waste with the production of bricks made of plastic residues destined to the construction in vulnerable sectors, with the aim of generating environmental and social impact and cultural participation in the communities.
The bricks have the technical certification granted by the UN-Habitat Secretariat. They were developed and patented by Ceve-Conicet. Twenty bottles of recycled plastic are needed to produce a brick, which has characteristics like those of a clay brick, but with better performance as a thermal
The Academy Bezalel students' bamboo project, in Jerusalem, is a proposal that approaches the construction in real scale and the experimentation with materials as an important driving force of architectural design.
The project, a suspended bamboo pavilion, can be reused with different configurations in different places with its joints made up of ropes and 3D printed pieces.
From the architects. Located at the entrance courtyard of the Architecture Department at Bezalel Academy of Arts and Design in Jerusalem, the BambooPavilion welcome visitors, students, and faculty with an inspiring play of shadows and lights, and invites them to engage with the hanging bamboos while challenges their perception of being "inside" and "outside".
The Pavilion is a result of a Design-Build summer studio that focuses on actual building and experimenting with materials, as an important driving force of architectural design.
At the end of September, we invited our Spanish-speaking readers to send us their social housing proposals completed at a university level. Social housing is still a challenge for much of Latin America and although every year hundreds of architecture students work on projects that reflect their concerns in the social housing field, its visibility is very low and its materialization is null. At a time when the Global South has pursued its own responses to its own problems, the university response on social housing should be taken into account by the State, both of whom are interested in the common good.
Out of 116 proposals received from Spain and 11 Latin American countries, this selection of 20 ideas represents the different challenges and state of the problems in social housing. While some approach Colombia's post-conflict scenario for rural inhabitants, some propose answers to the insertion of social housing
Nowadays young people’s lives are almost entirely based on digital consumption and this decreases the popularity of books among this generation. A team of architects and designers (Yuzdzhan Turgaev, Boyan Simeonov, Ibrim Asanov and Mariya Aleksieva) decided to do what they can to partly solve this issue by building a street library.
As part of Concéntrico 03, architects Manuel Bouzas Cavada, Manuel Bouzas Barcala and Clara Álvarez Garcí designed a temporary exhibition pavilion in the Escuelas Trevijano Plaza, with the objective of “making the unclear, transparent, and the heavy, light."
A paper sheet alone does not sustain itself, but when formed in a series of precisely folded sheets, they are capable of sustaining not only themselves but also much greater forces. With the same logic, a wooden panel does not sustain itself but when formed as a series of precisely folded wooded panels, it has the capacity to sustain not only itself but to support much more. An example of this is the information pavilion at Concéntrico 03.
The idea is simple; we want to generate an icon, an attractive exhibit that seeks to stir curiosity and catch the attention of the city´s inhabitants. But
Have you ever visited a worksite and thought, "Wow, this contractor knows a lot more about construction than I do"? Have you had to change your original design because it was too difficult to construct or because it exceeded the budget? Do you think you're good at creating well-designed, efficient spaces but you're not so good when it comes to resolving the project's details?
Chances are you've found yourself in one or more of these situations, especially if you are a recent graduate. And depending on where and how you were educated, most students learn about construction and materials as it relates to the particular projects they are designing in school. Some people dedicate their career to the construction side of things--choosing classes, studios, and jobs that are focused on more technical, real-world training; others decide to focus their studies on urbanism, landscape architecture or the history of