© James Haefner
- Design Architect: Preston Scott Cohen
- Location: Ann Arbor, MI, United States
- Architect Of Record: Integrated Design Solutions
- Area: 36000.0 ft2
- Project Year: 2017
- Photographs: James Haefner
- Mechanical And Electrical Engineers: Integrated Design Solutions
- Structural Engineers: SDI Structures
- Landscape And Civil Engineers: Beckett and Raider
- General Contractor: The Christman Company
Text description provided by the architects. Among the most important and interesting challenges was a twofold demand: on the one hand, to create a 36,000 ft2 building that would stretch from the existing architecture /planning wing of the college, past the art wing, all the way to Bonisteel Blvd, and on the other hand to make this building that is on the eastern end of the existing building act as if it is in the center of the school, in order that it will serve as the nexus of circulation for all students and
Lifting the commons off the ground this way solved several other problems; it permitted the courtyard between the existing and new buildings to remain open to the valley and retention pond to the east, allowed the new building to create a path through – between the existing and the new -, resolved the disparity in height between the new plenums and the existing building’s, and thereby established an ascending and continuous sequence of interior spaces. The main space, called the commons, is composed of two pairs of ramps linked by a spiral-like suspended stair. The solid parts of the railings are kept low to enable viewing of the central space from afar and to articulate a remarkable scale effect.
The commons is a continuous space encircled by the new and existing studios, as well as all the other essential spaces of the program: the lounges for architecture and planning students, faculty offices, and a remarkably tiered set of meeting and reading rooms. Its function is to serve as a lounge, a space in which to hold reviews, a workspace for large fabrication projects, a space for important occasions and dinners, and a space for lectures and discussions.The facades combine modest vernacular and cultural building character. The brick pattern, which weaves running bond and soldier’s coursing, is composed to formalize implicit shadows or folds that extend from the sawtooth profile to the windows. Four large windows address distant views from the studio; the smaller individual office windows reveal the changing levels within the building.
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